"The definitive book on the multifaceted mummy-liquefying soap opera, starring the Museum of the Bible and a Dickensian cast of always quirky and often shady characters. Roberta Mazza is a rock star of this field, and her book sings with brilliance." -- Noah Charney, author of The Thefts of the Mona Lisa
"A dark academia mystery come to life." -- Erin Thompson, author of Smashing Statues
"A revelation, and a romp... [Mazza's] diligence, bravery, and wit are all on full display." -- Joel Baden, author of The Book of Exodus: A Biography
"[Mazza's] book is a harrowing read as it depicts the violation of a rich cultural heritage, and serves as crucial testimony against those who were complicit and, worse, turned a blind eye. A masterpiece." -- Monica Hanna, author of The Future of Egyptology
"A compelling account of how and why papyrology has been so easily swept into the illicit global trade in ancient objects." --William Carruthers, author of Flooded Pasts: UNESCO, Nubia, and the Recolonization of Archaeology
In 2012, Steve Green, billionaire and president of the Hobby Lobby chain of craft stores, announced a recent purchase of a Biblical artefact—a fragment of papyrus, just discovered, carrying lines from Paul's letter to the Romans, and dated to the second century CE. Noted scholar Roberta Mazza was stunned. When was this piece discovered, and how could Green acquire such a rare item? The answers, which Mazza spent the next ten years uncovering, came as a shock: the fragment had come from a famous collection held at Oxford University, and its rightful owners had no idea it had been sold.
The letter to the Romans was not the only extraordinary piece in the Green collection. They soon announced newly recovered fragments from the Gospels and writings of Sappho. Mazza's quest to confirm the provenance of these priceless fragments revealed shadowy global networks that make big business of ancient manuscripts, from the Greens' Museum of the Bible and world-famous auction houses like Sotheby's and Christie's, to antique shops in Jerusalem and Istanbul, dealers on eBay, and into the collections of renowned museums and universities.
Mazza's investigation forces us to ask what happens when the supposed custodians of our ancient heritage act in ways that threaten to destroy it. Stolen Fragments illuminates how these recent dealings are not isolated events, but the inevitable result of longstanding colonial practices and the outcome of generations of scholars who have profited from extracting the cultural heritage of places they claim they wish to preserve. Where is the boundary between protection and exploitation, between scholarship and larceny?